Description
The music feels very strippeddown,almost horizontal, the instruments split into lines which are deliberately concocted as independent but nonetheless continuously interacting without being interwoven in the classical way. Unplayed notes having the same importance as played ones.
The single-note-phrases, indispensable for this concept, give the music a crystalline, yet at all times particularly warm kind of transparency, supported by the inestimable contributions made by her esteemed fellow musicians, Jan Roder on bass and Oliver Steidle on drums.