Release Date: 02 July 2021
Label: Big Legal Mess Records / Fat Possum
Packaging Type: Digipak
No of Units: 1
Barcode: 854255005835
Release Date: 20 August 2021
Label: Big Legal Mess Records / Fat Possum
Packaging Type: Slip Sleeve (CD or Vinyl)
No of Units: 1
Barcode: 854255005828
Description
The harmonica has been conspicuously absent from the NorthMississippi Hill Country music scene in recent decades, but this wasn't always the case. Notably, Johnny Woods (1917-1990) was a frequent playing partner of both R.L. Burnside and Mississippi Fred McDowell, whose work with Woods is captured on the Fat Possum LP Mama Says I'm Crazy. Another staple of the North Mississippi juke joint and house party scene was Wilbert Lee Reliford, a blind harmonica player, vocalist and occasional guitarist. Reliford recalled he was born in 1924 near Rossville, Tennessee, the hometown of McDowell, but he grew up near Chulahoma, Mississippi, the location of Junior Kimbrough's infamous juke joint.He lost his sight at the age of 11 after a doctor treating him forBright's disease mistakenly took out his "good" eye. "I cried many night after going blind," Reliford told Sylvester Oliver. "I prayed a lot too, and between time I learned to play guitar and got better on harp." Reliford learned his first harmonica licks from a family friend, Katherine Holloway, and studied the records of fellow west Tennessee native John Lee "Sonny Boy" Williamson. He was inspired to play guitar by local bluesman Monroe "Guy" Jackson, who built Reliford's first instrument from a candy box.Reliford mostly stuck to the harmonica, saying that he preferred the accompaniment of a good guitarist-his partners included Henry Hardin and Claudell Campbell-and he recalled becoming known as the "champ" of the diminutive instrument through his gigs at "gin houses" across the hill country and as far away as Clarksdale in the Delta. His engagements sometimes lasted all weekend, playing for gamblers in juke joints and oil-lit barns. "They would want you to play all day and all night for them . They just wanted some music going. Usually there would be no dancing . Sometimes a few women were around, but most of the time it was just men. They wanted music to console the gamblers."In the 1980s Reliford gained broader, albeit limited, attentionthrough playing
Description
The harmonica has been conspicuously absent from the NorthMississippi Hill Country music scene in recent decades, but this wasn't always the case. Notably, Johnny Woods (1917-1990) was a frequent playing partner of both R.L. Burnside and Mississippi Fred McDowell, whose work with Woods is captured on the Fat Possum LP Mama Says I'm Crazy. Another staple of the North Mississippi juke joint and house party scene was Wilbert Lee Reliford, a blind harmonica player, vocalist and occasional guitarist. Reliford recalled he was born in 1924 near Rossville, Tennessee, the hometown of McDowell, but he grew up near Chulahoma, Mississippi, the location of Junior Kimbrough's infamous juke joint.He lost his sight at the age of 11 after a doctor treating him forBright's disease mistakenly took out his "good" eye. "I cried many night after going blind," Reliford told Sylvester Oliver. "I prayed a lot too, and between time I learned to play guitar and got better on harp." Reliford learned his first harmonica licks from a family friend, Katherine Holloway, and studied the records of fellow west Tennessee native John Lee "Sonny Boy" Williamson. He was inspired to play guitar by local bluesman Monroe "Guy" Jackson, who built Reliford's first instrument from a candy box.Reliford mostly stuck to the harmonica, saying that he preferred the accompaniment of a good guitarist-his partners included Henry Hardin and Claudell Campbell-and he recalled becoming known as the "champ" of the diminutive instrument through his gigs at "gin houses" across the hill country and as far away as Clarksdale in the Delta. His engagements sometimes lasted all weekend, playing for gamblers in juke joints and oil-lit barns. "They would want you to play all day and all night for them . They just wanted some music going. Usually there would be no dancing . Sometimes a few women were around, but most of the time it was just men. They wanted music to console the gamblers."In the 1980s Reliford gained broader, albeit limited, attentionthrough playing
Tracklisting
Tracklisting
The Weather Station
Fievel Is Glauque
E L U C I D
Spiritualized
X
Jake Xerxes Fussell
Jake Xerxes Fussell
Spiritualized
James Cotton
Kim Wilson
Mike Stevens
James Harman Band
Guy Davis & Fabrizio Poggi
Wilburt Lee Reliford
George "Harmonica" Smith
Jerry McCain
