Verdi: Il Corsaro (The Corsair)
Soloists; Europa Galante; Fabio Biondi
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Soloists; Europa Galante; Fabio Biondi
Description
The Corsair is an Opera in three Acts and is performed here in concert for the first time on historical instruments.
The Corsair (set to a poem by Byron), appeared among Verdi's operatic projects very early, like many other works by the same author, including The Bride of Abydos and The Two Foscari (1821).
The composer considered all three texts when preparing for the 1844 carnival season in Venice. In 1845 Verdi made a commitment to Her Majesty's Theatre in London, signing an agreement for an opera that was to be premiered in the summer of 1846.
After a lot of arguments, stubbornness and friction between Verdi and the librettist Francesco Maria Piave, the opera came into being suddenly and unexpectedly. Pressed by his publisher, Verdi composed Il Corsaro in an access of rage.
The ill fated work was finally staged in October at the Teatro Grande in Trieste. A complete flop, it disappeared ignominiously from the bill after just three performances. And although a revised version fared much better a few years later in Cagliari, Modena and Milan, it never lost its label as a poor work.
One of the striking features of Verdi's score is its economy—both thematic and formal. And although that does not allow us to raise Il Corsaro above the group of minor works in Verdi's output, it does lend it a unique character and value.
In no other opera does Verdi draw so much out of so little material, the relative modesty of which is combined here with subtle craftsmanship. So contrary to our worst fears, the exceptional character of Il Corsaro is what saves it. Of course, it has an essentially conventional form, with routine
cabalettas, unremarkable choruses and pale reflections of that which the composer achieved earlier. It is also very short, like Alzira. Yet there remain its unquestionable assets, moments of lyricism and poetry.
Performed by the incredible forces of Fabio Biondi and his Europa Galante, the solo parts are filled by exceptionally skilled performers accompanied by the Podlasie Opera and Philharmonic Choir.
Tracklisting
Cyprien Katsaris
Mateusz Kowalski; Lorenzo Coppola; {oh!} Orkiestra; Martyna Pastuszka
Vadym Kholodenko
Ewa Poblocka
Maria Joao Pires
Halina Czerny-Stefanska
Ewa Poblocka
Piotr Pawlak, {oh!} Orchestra, Vaclav Luks
Reinoud Van Mechelen; A Nocte Temporis; Choeur de Chambre de Namur
Valeria Girardello; Luca Greco; Vittoria Giacobazzi; Leopoldo Punziano; Enrico Torre; Maurizio Rea;
Sofija Petrovic; Evelin Novak; Diana Haller; Stjepan Franetovic; Matteo Ivan Rasic; Ivica Cikes; Ma
Miriam Albano; Antonio Gares; Giuseppe Toia; Matteo Loi; Luigi De Donato; Alessandro De Marchi
Laila Andersson-Palme; Jonny Blanc; Kolbjorn Hoiseth; Kerstin Meyer; Margareta Bergstrom; Bo Lundbo
Jean-Luc Ballestra; Shaked Bar; Mohammed David Tricou; Maria Bagala; Ensemble della Filarmonica del
Georg Zeppenfeld; David Butt Philip; Malin Bystrom; Martin Gantner; Anja Kampe; Attila Mokus; Chor
Gianandrea Gavazzeni; Rai Turin Orchestra; Bruno Prevedi