Mateusz Kowalski; Lorenzo Coppola; {oh!} Orkiestra; Martyna Pastuszka
Release Date: 01 November 2024
Label: NIFCCD
Packaging Type: Digipak
No of Units: 1
Barcode: 5905683648127
Genres: Classical Orchestral
Description
Chopin's F minor Concerto is perhaps just as popular among listeners and performers as the E minor. That equality can be gauged by the fact that both works have been transcribed more than 120 times for various forces (if we include reworkings of individual movements). Yet thanks to this album, we are given here, for the first time in the history of these works' reception, a transcription of one of Chopin's concertos in a version for guitar and orchestra. At first glance, the idea (also realised in the case of the Concerto in E minor), only brought to life in our times by Jerzy Koenig, may seem quite hair-raising. After all, even the most technically proficient guitarist--which Mateusz Kowalski most certainly is--will be unable to keep pace in the brillant figurations with a pianist. What is more, given the quick fade of the guitar's notes, no virtuoso of this instrument will fully obtain the effect of 'instrumental singing' which was so crucial to Chopin as a pianist and a composer.
Yet the recorded interpretation by the {oh!} Orchestra and Mateusz Kowalski offers us different qualities that normally escape our attention. First, in many lyrical passages, the guitar imparts a truly ballade-like colouring to Chopin's composition, spinning out a different story, more distant from Romantic times. And one thing it is impossible to overestimate: the guitar, thanks to its far greater capacities for nuancing its timbre, often blends more vividly than the piano with the sound of the orchestra, which in this version comes to the fore more frequently than in the original with the more resonant piano. In Koenig's transcription, Chopin's F minor Concerto becomes a sort of symphonie concertante for guitar and orchestra. And the orchestra shows that the concept for the work's instrumentation, for which the Polish Romantic has been so often criticised, was shaped better than it usually seems.
Featured on BBC Radio 3's Record Review: 'It is interesting what you hear differently, you can hear through it unlike the piano, which is a stronger, thicker sound. There's a translucent quality about the guitar that allows us into the orchestra behind it. What I love about this is the fact that he reveals, in his fantastic playing, the improvisatory quality, the spontaneity of Chopin.'
Tracklisting
Cyprien Katsaris
Vadym Kholodenko
Ewa Poblocka
Maria Joao Pires
Halina Czerny-Stefanska
Ewa Poblocka
Mateusz Kowalski; Lorenzo Coppola; {oh!} Orkiestra; Martyna Pastuszka
Eric Guo, Oh! Orchestra, Vaclav Luks
David Rabinovich
Badische Staatskapelle, Georg Fritzsch
Badische Staatskapelle, Georg Fritzsch
Badische Staatskapelle, Georg Fritzsch
Roberto Prosseda, London Philharmonic Orchestra / Nir Kabaretti
Trondheim Symphony Orchestra, Peter Szilvay, Aage Richard Meyer, Cam Kjoll, Ruth Potter
Joshua Bell
Orchestra of the 18th Century, Frans Bruggen
