Mozart: Requiem
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Description
This distinctive recording of Mozart's last great work can claim to be unique in two defining ways: the use of soloists drawn from the chorus, as in Mozart's day - including young male singers for the soprano and alto solos - combined with a period orchestra. These are not idle historical gestures. The contemporary virtues of this approach are consistency in the sound-world between chorus and solo ensemble, and homogeneity of style between period ensemble (here the superlative Orchestra of the Age of Enlightenment) and period chorus. The musical text employed is Sussmayr's completion of Mozart's unfinished score - what Christoph Wolff has called 'the only document that represents the genuine musical truth of the unfinished work'.
Tracklisting
The Rose Singers
New College Oxford/Quinney
Choir Of New College Oxford
Choir Of New College Oxford
New Coll Oxford:Higginbottom
New Coll Ox:Charivari Agreable
New Coll:Oae:Higginbottom
New Coll Oxford:Higginbottom
Elena Tsallagova; Sergey Skorokhodov; Bayerisches Staatsorchester; Bayerischer Staatsopernchor; Bar
Marjukka Tepponen; Julien Behr; Vladimir Stoyanov; Angela Simkin; Melissa Zgouridi; Bregenzer Fests
Thomas Blondelle; Hulkar Sabirova; Alina Wunderlin; Kresimir Strazanac; Jana Kurucova; Arnold Schoe
Osiris Trio
Mona Julsrud; Philippe Graffin; Yuzuko Horigome; Roger Chase; Jeroen Reuling; Amy Norrington
John Potter, tenor, Erik Westberg Vocal Ensemble, dir. Erik Westberg
Duo Rozemond & Bekkers: Reneee Bekkers, accordion Jacobien Rozemond, violin and voice
Andras Schiff