Lamento
Oslo Circles, Marianne Beate Kielland
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Oslo Circles, Marianne Beate Kielland
Description
'OSTINATI LAMENTI' is a literary genre that developed – with various names – in Roman languages in the Middle Ages, which typically involves a character complaining in the first person about unrequited love, loss or even their own death.
It became very popular in Italy during the Renaissance, due predominantly to the expansion of the publishing industry and renewed interest in the Greek and Latin classics, for example the laments Ludovico Ariosto borrowed from Ovid, including the weeping Olympia.
The economic crisis of the early seventeenth century and the remorseful climate of the Counter- Reformation inspired authors to write ever-greater numbers of sacred and secular laments, and these were increasingly frequently in verse form, designed to be set to music.
On this recording, featuring Norwegian Baroque ensemble Oslo Circles and mezzo-soprano Marianne Beate Kielland, the listener will hear examples of the lament form by Italian composers such as Frescobaldi, Mealli, Merula, Uccellini, Kapsberger, Monteverdi and others.
Tracklisting
Tine Thing Helseth; Bergen Philharmonic; Petr Popelka
Engegard Quartet
Berit Norbakken; Arctic Philharmonic; Hennig Kraggerud
Oslo Kammerakademi; David Friedemann Strunck
Oslo Philharmonic Orchestra; Vasily Petrenko
Oda Voltersvik
Lars Notto Birkeland, Forsvarets Stabsmusikkorps, Peter Szilway, Eirik Raude
Nils Anders Mortensen
Bellot Ensemble; Lucine Musaelian; Kieran White
Thüringer Bach Collegium
Daniel-Ben Pienaar
Nicolo Balducci; Sophie Rennert; Benedetta Mazzucato; Martin Vanberg; Riccardo Novaro; NovoCanto; L
Seda Amir-Karayan; Fritz Kramer; Camerata Vivaldiana
L'Orfeo Barockorchester; Carin van Heerden
Artem Dzeganovskyi; Leonard Gatti; Sonia Hrechorowicz
Arcis-Vocalisten Munchen; Barockorchester L'Arpa Festante; Monika Mauch; Ulrike Malotta; Georg Popl