Release Date: 12 January 1999
Label: Naxos - Nxc / Naxos Classics
Packaging Type: Jewel Case
No of Units: 1
Barcode: 730099449922
Genres: Classical
Composer/Series: FALLA
Description
Manuel de Falla (1876 -1946) El Amor Brujo (Love the Magician) Gitaneria en un acto y dos cuadros (Gypsy Ballet in One Act andTwo Scenes) Libretto: Gregorio Martinez Sierra Original Version (1915) Nancy FabiolaHerrera, Mezzo-Soprano Dialogue: Natacha Valladares .Ismael Pons-Tena Cameristi Diego Dini-Ciacci, Conductor Cuadro primero I Scene 1 [1] Introducci6n y Escena I Introductionand Scene [2] Canci6n del amor dolido ISong of the Pain ofLove [3] Sortilegio (A media noche) I Enchantment(At midnight) [4] Danza del fin del dia I Dance of the End of the Day[5] Escena (El amor vulgar) I Scene (Ordinary Love) [6] Romance del pescador I Romance of the Fisherman[7] Intermedio (Interlude) Cuadro segundo I Scene 2 [8] Introducci6n (El fuego fatuo) I Introduction(Will-o'-the-Wisp)[9] Escena (El Terror) I Scene (Terror) [10] Danza del fuego fatuo IDance of theWill-o'-the-Wisp[11] Interludio (Alucinaciones) I Interlude (Hallucinations)[12] Canci6n del fuego fatuo I Song of the Will-o'the-Wisp [13] Conjuro para reconquistar el amor perdidoI Spell to win back lost love[14] Escena (El amor popular) I Scene (Common Love) [15] Danza y Canci6n de la bruja fingida IDance and Song of the False Witch[16] Final (Las campanas del amanecer) I Finale (Bells of Morning) El Retablo de Maese Pedro (Master Peter'sPuppet Show) Adaptaci6n musical y escenica de un episodio de El IngeniosoCaballero Don Quixote de la Mancha de Miguel de Cervantes (Musical and DramaticAdaptation of an episode from The Ingenious Knight Don Quixote de la Mancha ofMiguel de Cervantes) Maese Pedro Jordi Galofre, Tenor El TruijamiinNatacha Valladares, Soprano Don Quijote Ismael Pons- Tena, Baritone I Cameristi .Maurizio Dini-Ciacci,Conductor [17] El Pregon! The Proclamation [18] Sinfonia de Maese Pedro! Sinfonia ofMaster Peter [19] Cuadro I. La Cortede Carlo Magno / Scene 1. The Court of Charlemagne[20] Cuadro II. Melisendra ! Scene 2.Melisendra [21] Cuadro III. El suplicio del Moro /Scene 3. The Moor's Punishment[22] Cuadro IV. Los Pirineos / Scene 4. ThePyrenees[23] Cuadro V. La fuga! Scene 5. The Escape[24] Cuadro VI. La persecucion / Scene 6.The Pursuit[25]Final! Finale Manuel de Falla was born in Ciidiz in 1876and had his early musical training and education there, deciding at the age ofseventeen to embark on a career as a composer. He studied at the MadridConservatory and from the turn of the century earned a living from thecomposition of zarzuelas, most of which have not survived. Study with Pedrell,an important figure in the creation of Spanish musical nationalism in anacceptable international musical language, was followed by a seminal period ofnearly seven years in Paris, during which he had encouragement fromPaul Dukas, as well as from Debussy, Ravel and the Spanish composer Albeniz. Spain had exercised a musical fascination over Frenchcomposers, from saint-saens and Bizet to Debussy and Ravel and now Falla couldexert his own Spanish influence over contemporary French compose
Tracklisting
Dariia Lytvishko
Baltimore Symphony Orchestra; Marin Alsop
Alice Di Piazza; Basel Sinfonietta; NDR Bigband; Titus Engel
Anna Alas i Jove; Miquel Villalba
David Childs; Black Dyke Band; Nicholas Childs
Various
Various
Lully
