Release Date: 18 September 2020
Label: C-Avi
Packaging Type: Digipak
No of Units: 1
Barcode: 4260085530168
Genres: Classical  Solo Instrumental  
Release Date: 18 September 2020
Label: C-Avi
Packaging Type: Digipak
No of Units: 1
Barcode: 4260085530168
Genres: Classical  Solo Instrumental  
Description
Pianist Herbert Schuch has gained a reputation as one of the most interesting musicians of his generation with his strikingly conceived concert programmes and CD recordings. For his latest CD, he sets the works of modern composers against the traditional, but revolutionary works of Beethoven.
"Beethoven has been pressed into many categories. At times he was seen as the great Titan, at others as an idealist; later approaches occasionally attempted to "de-emotionalize" his music. He simply had an incredible ability to be many things, but his music was never dispassionate. Beethoven could even sound overemotional, and then display dry wit! I see him at a crossroads in music history where he was occasionally still allowed to write plain, simple music, and I find that thoroughly moving.
I'm always searching for connections across the centuries. Composers relate to one another, consciously or unconsciously. Henri Pousseur wasn't thinking at all about Beethoven's G Major Sonata. When I was thirteen years old, I performed the Pousseur piece at the European Youth Music Competition: it was a compulsory piece, and I won a special prize. It was the first truly "modern" piece in my repertoire, and required things I wasn't prepared for at all. At the beginning, for example, six different dynamic shadings are overlapping simultaneously in both hands. I found those challenges exciting: after having gone through such an experience, I had "tasted blood" as far as contemporary music was concerned. In the middle of the piece, there is an improvisation on predetermined musical material: I wrote my version down, and have recorded it that way now. At the onset, the piece features a displacement of one semiquaver between the two hands, which is maintained until the phases come together again. This always reminded me of the first movement of Beethoven's G Major Sonata. Beethoven was surely one of the first to discover how such small shifts can generate a kind of jagged, forward-moving energy, and he presents it in a dry, unemotional manner."
Tracklisting
Andreas Willwohl & Daniel Heide
Laurence Kilsby & Ella O'Neill
Kilian Herold, Barbara Buntrock, Florian Donderer, Tanja Tetzlaff
Kathrin Zukowski, KammerMusikKoln
Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
Antje Weithaas, Denes Varjon
Premysl Vojta, Florence Millet, Ye Wu
Herbert Schuch, WDR Symphony Orchestra Cologne
Herbert Schuch, WDR Symphony Orchestra Cologne
Herbert Schuch
Herbert Schuch