Annalene Beechey/Kim Criswell/ James Cleverton / Philip O’Re
Description
The composer perhaps most influenced by Victor Herbert and Jerome Kern was Richard Rodgers (1902–1979), who acknowledged his affection for Kern's shows with Bolton and Wodehouse. His score for Dearest Enemy, his first Broadway success, is clearly influenced by Kern's graceful way with a good melody. Dearest Enemy, written with lyricist Lorenz Hart (1895–1943) and book writer Herbert Fields (1897–1958) opened on September 18, 1925. It displays the young composer's synthesis of Victor Herbert, Rudolf Friml, Sigmund Romberg and other writers of the day. Rodgers' work with Lorenz Hart covered a wide range, from the sophisticated innocence of Babes in Arms (1937) to adaptations of Mark Twain, Shakespeare and the sleazy showbiz world of John O'Hara's Pal Joey (1940). Dearest Enemy is a romantic score by the composer who would write Carousel twenty years later and shows how the third generation of composers for Broadway helped to make the transition from operetta to musical theater.
Tracklisting
Sofia Burgos, Sofia Jernberg, Zwerm
Ghost Ensemble: Margaret Lancaster, Sky Macklay, Ben Richter, Chris Nappi, Lucia Helen Stavros, Mar
Sarah Hennies
Ostrava New Orchestra, Owen Underhill, Ostravska Banda, Petr Kotik, Elision Ensemble, Arditti Quartet, Switch~ Ensemble, Jason Thorpe Buchanan
James Martin, Lynn Raley
Peter Gena
New World
New World
Polina Pastirchak, Anke Vondung, Sungmin Song, Milan Siljanov, Chorwerk Ruhr, Bochumer Symphoniker,
Kammerchor Stuttgart; Barockorchester Stuttgart; Frieder Bernius; Hannah Morrison; Franziska Bobe;
Choralchor der St. Johannis-Kantorei Rostock
Capella Daleminzia, Capella Vocale Waldheim, Rene Michael Roder
Gewandhaus Children's Choir, Frank-Steffen Elster, Gewandhaus Youth Choir, Gewandhaus Choir, Gregor
Aukso - Chamber Orchestra Of The City Of Tychy, Camerata Silesia Katowice City Singers' Ensemble, M
Herbert von Karajan; The Philharmonia Orchestra; Berliner Philharmoniker
Soloists, Netherlands Chamber Choir, Orchestra of the 18th Century, Frans Bruggen
