Various - Wolfgang Amadeus Mozart: La clemenza di Tito - OA1255D

Various - Wolfgang Amadeus Mozart: La clemenza di Tito - OABD7232D

Various - Wolfgang Amadeus Mozart: La clemenza di Tito - C938172I

Wolfgang Amadeus Mozart: La Clemenza Di Tito

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Cat No: C938172I

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Release Date: 01 June 2018

Label: Opus Arte - Dvd / Opus Arte

Packaging Type: DVD Case

No of Units: 1

Barcode: 809478012559

Genres: Classical

Composer/Series: Wolfgang Amadeus Mozart

Release Date: 01 June 2018

Label: Opus Arte - Bluray Dvd / Opus Arte

Packaging Type: Blu-Ray Packaging

No of Units: 1

Barcode: 809478072324

Genres: Classical

Composer/Series: Wolfgang Amadeus Mozart

Release Date: 01 January 2017

Label: Orfeo D'or / Orfeo - D'or

Packaging Type: Jewel Case

No of Units: 2

Barcode: 4011790938226

Genres: Classical

Composer/Series: Wolfgang Amadeus Mozart

Description
Mozart's final opera returns to Glyndebourne after an absence of nearly 20 years in a 'stark, compelling and very well acted' production directed by Claus Guth. Richard Croft sings the title role 'with exemplary stylistic poise and tonal sweetness', and Anna Stéphany is a Sesto 'touchingly full of angst and remorse... with terrific élan and immaculate technical control' in the arias (The Telegraph) - her 'Parto, Parto' 'simply breathtaking' (The Guardian). Guth's vision sets the 1st-century Roman story in a two-storey office suite bureaucracy 'exquisitely lit by Olaf Winter', aptly framing the scheming of Vitelia, sung by Alice Coote 'in terrific form'. The OAE under Robin Ticciati 'brings out the sheer beauty' of Mozart's score (Express).

Description
Mozart's final opera returns to Glyndebourne after an absence of nearly 20 years in a 'stark, compelling and very well acted' production directed by Claus Guth. Richard Croft sings the title role 'with exemplary stylistic poise and tonal sweetness', and Anna Stéphany is a Sesto 'touchingly full of angst and remorse... with terrific élan and immaculate technical control' in the arias (The Telegraph) - her 'Parto, Parto' 'simply breathtaking' (The Guardian). Guth's vision sets the 1st-century Roman story in a two-storey office suite bureaucracy 'exquisitely lit by Olaf Winter', aptly framing the scheming of Vitelia, sung by Alice Coote 'in terrific form'. The OAE under Robin Ticciati 'brings out the sheer beauty' of Mozart's score (Express).

Description
Another monumental musician of our time is without doubt the very great opera conductor James Levine. On this recording he can be heard at the age of 34 in a Ponnelle production of Mozart’s last opera La clemenza di Tito – which fits nicely with this year’s programme – in what was an exciting time of upheaval: just before the epoch-making change in musical practice we associate with the name Harnoncourt and which began coincidentally with Mozart’s other ‘opera seria’ Idomeneo. Here ‘Jimmy’ Levine delivers an energetic, ‘full’ and astute performance, not least thanks to a superbly well-suited ensemble of singers and a Vienna Philharmonic in excellent form: a reading so convincing and overwhelming that we realize with astonishment once again that prior to the supposed ‘salvation’ and ‘rediscovery’ there were indeed very, very good performances of works still considered challenging today.
Tracklisting