Various - Claude Debussy: Pell?as et M?lisande - BAC157

Various - Claude Debussy: Pell?as et M?lisande - BAC144

Various - Claude Debussy: Pell?as et M?lisande - BAC457

Various - Claude Debussy: Pell?as et M?lisande - BAC544

Claude Debussy: Pell?as Et M?lisande

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Cat No: BAC144

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Release Date: 01 September 2019

Label: Belair Classiques

Packaging Type: DVD Case

No of Units: 1

Barcode: 3760115301573

Genres: Classical Opera

Composer/Series: Claude Debussy

Release Date: 01 January 2017

Label: Belair Classiques

Packaging Type: DVD Case

No of Units: 2

Barcode: 3760115301443

Genres: Classical Opera

Composer/Series: Claude Debussy

Release Date: 01 September 2019

Label: Belair Classiques

Packaging Type: Blu-Ray Packaging

No of Units: 1

Barcode: 3760115304574

Genres: Classical Opera

Composer/Series: Claude Debussy

Release Date: 01 January 2017

Label: Belair Classiques

Packaging Type: Blu-Ray Packaging

No of Units: 1

Barcode: 3760115305441

Genres: Classical Opera

Composer/Series: Claude Debussy

Description
This new Pelléas et Mélisande from the Opernhaus Zürich should be remembered as one of Dmitri Tcherniakov’s most innovative production. Forget about the fountains, the caverns, the forest, the castles and the towers : here, the density of Maurice Maeterlinck’s and Claude Debussy’s symbolism becomes the starting point of an analytical journey into the human mind: it is now the psychoanalyst, ‘‘doctor’’ Golaud, who has to uncover the secrets of Melisande, an unfortunate and traumatized creature he brings home, and whose silence and puzzling attitude eventually bring him on the verge of insanity. But this production is also the occasion for a reunion between Dmitri Tcherniakov and French conductor Alain Altinoglu, after the tremendous success of the Tchaikovsky dyptich Iolanta / The Nutcracker - arguably one of the most successful titles of the Bel Air Classiques catalogue. Their artistic complicity is intact: the precise, analytical but also nuanced and poetic baton of Altinoglu proves to be the best possible response to Tcherniakov’s subtle exploration of the human psychology.

Description
This new production, created by one of the rising stars of French stage direction Benjamin Lazar for the Malmö Opera encapsulates all the different aspects of this mysterious work, from the oniric poetry invented by Maeterlinck and Debussy to the realism, poignant because openly simple and even mundane, of these profoundly human beings lost in a forest full of sound and symbols that will never let them escape. The young French conductor Maxime Pascal, the Orchestra of the Malmö Opera, and an almost all-French cast (among which the excellent Marc Mauillon and Jenny Daviet), bring forth with intelligence all the refinement and all the vitality this unique and fascinating score has to offer.

Description
This new Pelléas et Mélisande from the Opernhaus Zürich should be remembered as one of Dmitri Tcherniakov’s most innovative production. Forget about the fountains, the caverns, the forest, the castles and the towers : here, the density of Maurice Maeterlinck’s and Claude Debussy’s symbolism becomes the starting point of an analytical journey into the human mind: it is now the psychoanalyst, ‘‘doctor’’ Golaud, who has to uncover the secrets of Melisande, an unfortunate and traumatized creature he brings home, and whose silence and puzzling attitude eventually bring him on the verge of insanity. But this production is also the occasion for a reunion between Dmitri Tcherniakov and French conductor Alain Altinoglu, after the tremendous success of the Tchaikovsky dyptich Iolanta / The Nutcracker - arguably one of the most successful titles of the Bel Air Classiques catalogue. Their artistic complicity is intact: the precise, analytical but also nuanced and poetic baton of Altinoglu proves to be the best possible response to Tcherniakov’s subtle exploration of the human psychology.

Description
This new production, created by one of the rising stars of French stage direction Benjamin Lazar for the Malmö Opera encapsulates all the different aspects of this mysterious work, from the oniric poetry invented by Maeterlinck and Debussy to the realism, poignant because openly simple and even mundane, of these profoundly human beings lost in a forest full of sound and symbols that will never let them escape. The young French conductor Maxime Pascal, the Orchestra of the Malmö Opera, and an almost all-French cast (among which the excellent Marc Mauillon and Jenny Daviet), bring forth with intelligence all the refinement and all the vitality this unique and fascinating score has to offer.