Requiem
Reiner/Reinhold/Berndt/Wilke/Schönheit/Merseburger
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Reiner/Reinhold/Berndt/Wilke/Schönheit/Merseburger
Description
A sound was created which corresponds
to the circumstances of the second half of the 19th and the beginning of the 20th century. The performance of the Requiem op. 144b
by Max Reger is probably the first performance of a choral-orchestral work by Max Reger with so-called historical instruments.
Horst Wolf
Pieter van Dijk
Mirella Hagen, Tobias Berndt, Frank-Immo Zichner
Mechthild Winter
Maria Ladurner, Martin Riccabona, cappella Argentina
Kristin Henneberg, Susanne Rabbach, Andreas Hartmann
Juliane Laake, Ensemble Art d'Echo
Jean-Michel Douiller
The Choir of Merton College, Oxford, Britten Sinfonia, Benjamin Nicholas
Magnificat; Philip Cave
David Hill, The Choir of Durham Cathedral, Joseph Beech, Daniel Cook
Choir of New College Oxford; Robert Quinney
Torsten Mossberg; Jerry Adbo; Stina Hellberg Agback; Ann-Marie Henning; Jonas Isaksson; Isak Josefs
New York Polyphony; LeStrange Viols
Miriam Feuersinger; Natasha Schnur; Alex Potter; Marie Henriette Reinhold; Benedikt Kristjansson; D
ChengCheng Ma; The Choir of the Church of the Advent, Boston; Mark Dwyer