Requiem
Reiner/Reinhold/Berndt/Wilke/Schönheit/Merseburger
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Reiner/Reinhold/Berndt/Wilke/Schönheit/Merseburger
Description
A sound was created which corresponds
to the circumstances of the second half of the 19th and the beginning of the 20th century. The performance of the Requiem op. 144b
by Max Reger is probably the first performance of a choral-orchestral work by Max Reger with so-called historical instruments.
Laefer Quartet
Lina Tur Bonet, Musica Alchemica
Christophe Coin; Orquesta Barroca De Sevilla
Miriam Feuersinger; Capricornus Consort Basel
Michael Oman; Amandine Beyer; Austrian Baroque Company
Marco Beasley; Constantinople; Kiya Tabassian
I Zefirelli
Francesco Galligioni
Gunta Gelgote; Nerijus Masevicius; Kaunas State Choir; Lithuanian National Symphony Orchestra; Robe
Anna Piroli; Maria Chiara Gallo; Massimo Lombardi; Alessandro Ravasio; Estrovagante Ensemble; Ricca
The Renaissance Singers; David Allinson
The Choir of Oriel College, Oxford; Tippett Quartet; Grace Davidson; Craig Ogden; Alexander Pott; D
The Choir of Magdalen College, Oxford; Mark Williams
Rencontres Baroques de Montfrin; Ensemble Vocal Esmos; Gabriel Garrido
Radio-Sinfonieorchester Stuttgart des SWR; Sudfunk-Chor; Chor der Wurttembergischen Staatstheater;
Phoenix Consort; Iain Farrington; Adam Whitmore