Grieg: String Quartets Nos. 1 And 2 / Johansen: String Quartet Op. 35

Oslo Str

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Cat No: 8550879

Release Date: 12 January 1999

Label: Naxos - Nxc / Naxos Classics

Packaging Type: Jewel Case

No of Units: 1

Barcode: 730099587921

Genres: Classical

Composer/Series: GRIEG

Description
Edvard Grieg (1843 - 1907) String Quartet in G Minor, Op. 27 String Quartet in F Major David Monrad Johansen (1888 - 1974) String Quartet, Op. 35 Edvard Grieg, the most famous of Norwegian composers, born in Bergen in 1843, was descended on his mother's side from a Norwegian provincial governor who had adopted the name Hagerup from his adoptive father, the Bishop of Trondheim. On his father's side he was of Scottish ancestry. His great-grandfather, Alexander Greig, had left Scotland after the Battle of Culloden, after the final defeat of the Stuart army by the Hanoverian rulers of England. In Norway the Greigs became Griegs and during the nineteenth century established themselves comfortably in their new country, with the composer's grandfather and father both serving in turn as British consul in Bergen. The Grieg household provided a musical background for a child. Musicians visited the family and these visitors included the distinguished violinist Ole Bull. It was he who persuaded the Griegs to send their son Edvard to the Conservatory in Leipzig, where the boy became a student at the age of fifteen, there to undergo the rigours of a traditional German musical education. In Leipzig not everything was to Grieg's liking. He objected to the dry nature of ordinary piano instruction, based on the work of Czerny and Clementi, and was able eventually to change to a teacher who was to instil in him a love of Schumann. He attended concerts by the famous Gewandhaus Orchestra that Mendelssohn had once directed and was present when Clara Schumann played her husband's piano concerto there, as well as at performances of Wagner's opera Tannhauser. At the same time he was able to meet other musicians, including the Irish composer, Arthur Sullivan, whose later fame, at least, was to depend principally on his operetta collaboration with W. S. Gilbert. After a short period at home again in Norway, where he was unable to obtain a state pension, Grieg moved to Denmark. The capital, Copenhagen, was a cultural centre for both countries and here he had considerable encouragement from Niels Gade. The principal influence, however, came from a meeting with Rikard Nordraak, a young Norwegian, who fired him with ambition to seek inspiration in the folk-music of his own country. Nordraak died tragically young, at the age of 24. Grieg, however, continued to prepare himself for employment in Norway, first of all taking a long holiday, which led him to Rome, where he met the great Norwegian dramatist Henrik Ibsen. It was a concert arranged by Grieg in Christiania (Oslo) and given by him with his cousin and future wife Nina Hagerup and the violinist Wilhelmine Norman-Neruda that secured him a position in Norway and provided support for the projected Norwegian Academy of Music, established in the following year, 1867. The period that followed saw Grieg's struggle, with the backing of Liszt and the support of his friend, the dramatist and theatre-director Bjørnson, to esta
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