730099412421

Massenet: Orchestral Suites Nos. 1- 3 / Herodiade

Nzso:Oss

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Format: CD

Cat No: 8553124

Release Date:  12 January 1999

Label:  Naxos - Nxc / Naxos Classics

Packaging Type:  Jewel Case

No of Units:  1

Barcode:  730099412421

Genres:  Classical  

Composer/Series:  MASSENET

  • Description

    Jules Massenet (1842 - 1912) Herodiade (Ballet Suite) Suite No.1 Suite No.2: Scènes hongroises Suite No.3: Scènes dramatiques Jules Massenet was born on 12th May 1842 at Montaud, near Saint-Etienne, and was given the baptismal names of Jules Emile Frederic, although he always hated his first name. He was the youngest child of the family and had eleven brothers and sisters, including the children of his father by his first marriage. The latter, a graduate of the Ecole Poly technique and a staff officer, who had resigned his commission after the defeat of Napoleon, had taken as his second wife Eléonore-Adélaïde Royer de Marancour, daughter of a well- to-do official and known, at least, to the Duchesse d' Angoulême, daughter of Louis XVI. Massenet's family, therefore, belonged to the established provincial bourgeoisie, still attached to the grandiose national ideals of Napoleon. In 1848 Massenet's father, owner of an iron-foundry, lost his fortune, a situation aggravated by his ill-health. In consequence he decided to move to Paris with his whole family. In October 1852, Jules Massenet, now only nine years old, entered the Conservatoire, where he studied with Savard and with Laurent, while continuing his normal schooling. In 1859 he won the first piano prize and went on to study harmony with Henri Reber, who advised him to become a composition pupil of Ambroise Thomas. Existing now in precarious financial circumstances, Massenet found various means of earning money. He played the piano in cafes, taught music in private schools and even played in various orchestras as a timpanist or triangle-player. He possessed considerable energy, witness his enthusiasm for composition. At each lesson at the Conservatoire he appeared with a new waltz, a fragment of an opera, an overture or part of a symphony. It is said that he never lost a chance to compose, even sketching music on the surface of his orchestral timpani. In 1863 Massenet won the first prize for fugue and a first Grand Prix de Rome with his cantata David Rizzio. This latter award allowed him to spend two years in Rome at the Villa Medici, according to custom. There he met Liszt, who introduced him to Mme de Sainte-Marie, whose daughter became his piano pupil. Two years later, on 8th October 1866, he married her. During his time abroad Massenet travelled in Italy and also visited Hungary and Germany. These years brought a symphonic Overture, a Requiem and fragments that were later used for the sacred drama Marie-Magdeleine. From 1866 onwards Massenet's music began to be performed in Paris, notably his suite Pompeia, on 24th February of that year, but it was a year before his work was heard in the theatre. His comic opera La Grand Tante was staged at the Opera-comique on 3rd April 1867. Its lack of success is seen in the fact that it was only given fourteen performances - Esclarmonde, for example, received a hundred. In 1870, with the outbreak of war with Prussia

  • Tracklisting

      Disc 1

      Side 1

      • 1. Hérodiade (Ballet Suite): Les Egyptiennes
      • 2. Hérodiade (Ballet Suite): Les Babyloniennes
      • 3. Hérodiade (Ballet Suite): Les Gauloises
      • 4. Hérodiade (Ballet Suite): Les Phéniciennes
      • 5. Hérodiade (Ballet Suite): Final
      • 6. Suite No. 1: Pastorale et fugue
      • 7. Suite No. 1: Variations
      • 8. Suite No. 1: Nocturne
      • 9. Suite No. 1: Marche et strette
      • 10. Suite No. 2: Scènes hongroises: Allegro risoluto
      • 11. Suite No. 2: Scènes hongroises: Allegro leggiero
      • 12. Suite No. 2: Scènes hongroises: Allegro risoluto
      • 13. Suite No. 2: Scènes hongroises: Andate
      • 14. Suite No. 2: Scènes hongroises: Allegro risoluto
      • 15. Suite No. 3: Scènes dramatiques: Prélude et Divertissement
      • 16. Suite No. 3: Scènes dramatiques: Mélodrame
      • 17. Suite No. 3: Scènes dramatiques: Scène finale

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