Bach Cantatas: Vol 11

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Cat No: SDG168

Release Date: 01 June 2010

Label: Sdg / SDG

Packaging Type: Jewel Case

No of Units: 2

Barcode: 843183016822

Genres: Classical

Composer/Series: Bach Cantatas

Description
he first of these two concerts - a performance of three little-known secular-imaged cantatas in the stunning Gothic cathedral of San Lorenzo. The soloists are internationally acclaimed and include Magdalena Kozena, Sara Mingardo, Christoph Genz and Peter Harvey. The concert opens with the solemn BWV 162 Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Ah! I see, now, that I have gone to the feast), a cantata brought to life by Salomo Franck's strongly worded libretto. Bach thrives upon Franck's love of poetic compounds and polar opposites. Nowhere is this more apparent than in the opening bass aria where we get references to life and death, rays of heaven and fires of hell. There then follows BWV 49 Ich geh und suche mit Verlangen (I go and seek with longing), a dialogue cantata geared towards creating an atmosphere depicting the beauty of the soul. In his booklet notes, Gardiner states that the best movement is the fourth which he believes to be ''a kind of early version of Bernstein's 'I feel pretty.' '' We then travel back to London for a concert in the Old Royal Navel College Chapel, Greenwich, a perfect architectural and acoustic setting. Bach composed four outstanding works for this Sunday, marvellously contrasted and subtly differentiated by mood and instrumentation. The earliest of these, BWV 109 Ich glaube, lieber Herr, hilf meinem Unglauben! (Lord, I believe, help Thou mie unbelief), opens the concert. The wonderful opening chorus, a setting of words from St Mark's gospel, emphasises the tension between belief and scepticism in such personal terms that one wonders whether it mirrors Bach's own private struggles of faith. This theme of distress and the yearning for forgiveness continues in BWV 38 Aus tiefer Not schrei ich zu dir (Out of deep distress I cry to you) where Bach, in the final chorus, emphasises this mood by giving all voices full orchestral doubling, including the rare usage of four trombones! After all that accumulated intensity, BWV 98 Was Gott tut, das ist wohlgetan, dating from November 1726, is exceptionally genial.
Tracklisting