Description
As a violinist, Lloyd was drawn to stringed instruments rather than the keyboard. His wife, Nancy had a very different attitude to the piano, however. Having been brought up listening to records of Alfred Cortot, among other great pianists, she had developed a genuine passion for the instrument. She was always urging her husband to write a piano concerto, but it was not until the early 1960s that those years of persuasion paid off and Lloyd wrote Scapegoat, the first of his series of four piano concertos. Now the composer had overcome his previous aversion to the keyboard, as he put it, 'Suddenly, everything I thought of, I thought in terms of the piano'. From this dramatic change of heart emerged several works for solo piano. The Aggressive Fishes (1972) was inspired by Karl Lorenz's account of experiments with tropical fishes. According to the composer, 'They are wonderfully beautiful creatures, but very vicious and aggressive, so I tried to describe the languor and the laziness and the sudden bursts of violence'. Lloyd creates an aptly fluid, aqueous soundscape, which returns in the closing stages of the piece. In the main, central section, he takes the listener on a colourful journey, full of unexpected flights of fancy, in one of his most impressionistic pieces.