Description
                    
                    In the 20th century, several composers embraced the combination of the violin and cello, producing a diverse and attractive repertoire for this ensemble.  From Reinhold Gliere's (1875-1956) post-romantic Duos for violin and cello "Huit  Morceaux" Bohuslav Martinu's (1890-1959) folkloristic Duo N".1 to Erwin Schulhoff's  (1894-1942) avant-garde Duo (1925) and Don Jaffe's (b. 1933) autobiographic "The final  days", these compositions show the artistic possibilities offered by the rich combination  of the violin's virtuosity with the cello's depth of sound. Similarly, the duo repertoire  of the 20th century shows the evolution of musical language as composers introdu-  ced special playing techniques, unconventional harmonies, and rhythmic complexity,  pushing the boundaries of tradition.