5060113446770
Choir of Girton College; Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Jeremy West; Emily Nott; Felix Elliott; Gareth Wilson; Gareth Wilson - Marc'Antonio Ingegneri, Vol. 3: Missa Susanne un jour a5 - TOCC0677
Choir of Girton College; Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Jeremy West; Emily Nott; Felix Elliott; Gareth Wilson; Gareth Wilson - Marc'Antonio Ingegneri, Vol. 3: Missa Susanne un jour a5 - TOCC0677
Choir of Girton College; Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Jeremy West; Emily Nott; Felix Elliott; Gareth Wilson; Gareth Wilson - Marc'Antonio Ingegneri, Vol. 3: Missa Susanne un jour a5 - TOCC0677
Choir of Girton College; Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Jeremy West; Emily Nott; Felix Elliott; Gareth Wilson; Gareth Wilson - Marc'Antonio Ingegneri, Vol. 3: Missa Susanne un jour a5 - TOCC0677
Choir of Girton College; Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; Jeremy West; Emily Nott; Felix Elliott; Gareth Wilson; Gareth Wilson - Marc'Antonio Ingegneri, Vol. 3: Missa Susanne un jour a5 - TOCC0677

Marc'antonio Ingegneri, Vol. 3: Missa Susanne Un Jour A5

Choir of Girton College; Cambridge; Historic Brass of the Royal Welsh College of Music and Drama; J

£12.99
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Format: CD

Cat No: TOCC0677

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Release Date:  05 May 2023

Label:  Tocc / Toccata Classics

Packaging Type:  Brilliant Case (Jewel Case size, Holds 2 CDs)

No of Units:  1

Barcode:  5060113446770

Genres:  Classical  Choral  

Composer/Series:  Marc'Antonio Ingegneri, Vol. 3

  • Description

    The Cremonese composer Marc'Antonio Ingegneri (c. 1535/36-92) is chiefly remembered as the teacher of Claudio Monteverdi while, for well nigh 500 years, his own achievements were left to sit in the shadows. This third in a series of pioneering recordings from the Choir of Girton College, Cambridge, reveals Ingegneri to have been one of the masters of his age, writing music of breathtaking richness and beauty: the works heard here combine learned, intricate counterpoint with the kind of sheer sonic thrill that brings a shiver of physical excitement. It is, of course, religious music, but it is also extraordinarily passionate, to a degree not previously heard, nor for centuries to come, until the rise of the great Romantic choral works.

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