Release Date: 06 October 2023
Label: Oh Boy Records / Thirty Tigers
Packaging Type: Slip Sleeve (CD or Vinyl)
No of Units: 1
Barcode: 691835431000
Genres: Folk Singer Songwriter
Release Date: 06 October 2023
Label: Oh Boy Records / Thirty Tigers
Packaging Type: Slip Sleeve (CD or Vinyl)
No of Units: 1
Barcode: 691835431406
Genres: Folk Singer Songwriter
Description
The most potent memories I have of music are from my early childhood listening to the oldie's station, riding in the back of my Pops' 1975 Cadillac Seville to work alongside him moving plants in Sacramento at the now long gone Capitol Nursery during white hot summer afternoons, and then the drives back home in the purple twilights and oily blue-oranged nights. I'm talkin' The Temptations, War, Earth Wind and Fire, Al Green, Sly and the Family Stone, The Delfonics, Stevie Wonder, Chaka Khan...soul music. I loved the melodrama of it all. The world outside refracted and transmuted through the crackling speakers past Pops' thumping thumb and my tiny whirring mind and left whatever road behind us fundamentally changed in our wake. Through the years other sounds too left its imprint well before I picked up a guitar. Rap, Punk, hardcore, dub, R&B--and a little later in middle school, blues, folk and country. But those early Cadillac memories always remained the bedrock. With folk and blues music, I fell in love with the immediacy of it and found the acoustic guitar economical for all the solitary roaming of my early 20's. All the while I knew that one day, when I had something I felt like I could add, I wanted to incorporate the sound of those early Cadillac memories. But only after I felt established as a songwriter in its most simple form, banging on a wooden guitar and yodeling up some melody did I feel comfortable exploring other sounds and only recently did I find the time and space to do that. The pandemic trapped all the world in their rooms. While recording my last record in the height of it and at the behest of my friend and You, Yeah, You producer Brad Cook and his friend Justin Vernon, I bought my first keyboard. A Roland Juno DS. I started tinkering on it throughout the past couple of years and as I became more stationary started writing songs on different instruments that I accumulated. Layering sounds on garageband in my apartment writing bass and horn parts, making drum loops, adding synth... I became pretty obsessive with the endless possibilities it brought and got quicker and quicker at making songs that way. It was just so fun and limitless. All the while the world never stopped plotting. Threats of nuclear war, A.I. surveillance, the age of misinformation etc. My personal life changed too. I moved to Nashville, became the new kid on the block, wrestled with public attention, fell in love, got my heart broke and became incredibly busy as a "professional" touring musician. Most importantly I witnessed the slow death of my Pops, the king of soul, Tommy Lee Burt. As it became time to start writing for my 3rd LP for Oh Boy Records and figuring out how I wanted to express all that has happened since YYY, I decided it was time to try and embrace that old Cadillac sound from my childhood. Do the sound my way, fuse it with my other aforementioned musical influences and use that for the modicum of the record. I decided to write an album that s
Description
The most potent memories I have of music are from my early childhood listening to the oldie's station, riding in the back of my Pops' 1975 Cadillac Seville to work alongside him moving plants in Sacramento at the now long gone Capitol Nursery during white hot summer afternoons, and then the drives back home in the purple twilights and oily blue-oranged nights. I'm talkin' The Temptations, War, Earth Wind and Fire, Al Green, Sly and the Family Stone, The Delfonics, Stevie Wonder, Chaka Khan...soul music. I loved the melodrama of it all. The world outside refracted and transmuted through the crackling speakers past Pops' thumping thumb and my tiny whirring mind and left whatever road behind us fundamentally changed in our wake. Through the years other sounds too left its imprint well before I picked up a guitar. Rap, Punk, hardcore, dub, R&B--and a little later in middle school, blues, folk and country. But those early Cadillac memories always remained the bedrock. With folk and blues music, I fell in love with the immediacy of it and found the acoustic guitar economical for all the solitary roaming of my early 20's. All the while I knew that one day, when I had something I felt like I could add, I wanted to incorporate the sound of those early Cadillac memories. But only after I felt established as a songwriter in its most simple form, banging on a wooden guitar and yodeling up some melody did I feel comfortable exploring other sounds and only recently did I find the time and space to do that. The pandemic trapped all the world in their rooms. While recording my last record in the height of it and at the behest of my friend and You, Yeah, You producer Brad Cook and his friend Justin Vernon, I bought my first keyboard. A Roland Juno DS. I started tinkering on it throughout the past couple of years and as I became more stationary started writing songs on different instruments that I accumulated. Layering sounds on garageband in my apartment writing bass and horn parts, making drum loops, adding synth... I became pretty obsessive with the endless possibilities it brought and got quicker and quicker at making songs that way. It was just so fun and limitless. All the while the world never stopped plotting. Threats of nuclear war, A.I. surveillance, the age of misinformation etc. My personal life changed too. I moved to Nashville, became the new kid on the block, wrestled with public attention, fell in love, got my heart broke and became incredibly busy as a "professional" touring musician. Most importantly I witnessed the slow death of my Pops, the king of soul, Tommy Lee Burt. As it became time to start writing for my 3rd LP for Oh Boy Records and figuring out how I wanted to express all that has happened since YYY, I decided it was time to try and embrace that old Cadillac sound from my childhood. Do the sound my way, fuse it with my other aforementioned musical influences and use that for the modicum of the record. I decided to write an album that s
Tracklisting
Tracklisting
Wade Bowen
Amos Lee
Bones Owens
John Moreland
Robert Vincent
Rival Sons
The Decemberists
B?la Fleck
Tom Speight
Martin Sexton
Non Canon
