Requiem
Reiner/Reinhold/Berndt/Wilke/Schönheit/Merseburger
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Reiner/Reinhold/Berndt/Wilke/Schönheit/Merseburger
Description
A sound was created which corresponds
to the circumstances of the second half of the 19th and the beginning of the 20th century. The performance of the Requiem op. 144b
by Max Reger is probably the first performance of a choral-orchestral work by Max Reger with so-called historical instruments.
Weihnacht
Thueringer Salonquintett
Ferrard, Jean
Borger, Roland
Tatiana Kozlova
Horst Wolf
Pieter van Dijk
Mirella Hagen, Tobias Berndt, Frank-Immo Zichner
La Petite Band & Sigiswald Kuijken
Cappella Pratensis & Stratton Bull
\uFEFFThe Choir of Christ's College, Cambridge/ David Rowland
Tuscae Voces; La Pifharesca; Elia Orlando
The Sixteen; Harry Christophers
The Choir of Westminster Cathedral; Peter Stevens; Simon Johnson
The Choir of Newcastle Cathedral/Ian Roberts
The Choir of Magdalen College, Oxford; Mark Williams