Well,actually

Description

Third album from Polish acoustic jazz quartet O.N.E. Grounded in the spirit of democracy and collective improvisation, the album offers a tightly woven set of original compositions that blur the lines between modal jazz lyricism and the raw energy of free improvisation. The band name O.N.E. is a clever double entendre: in Polish, "one" (pronounced oh-neh) means "they" in the feminine plural - an apt nod to the all-female lineup. In English, of course, it signifies unity. Both meanings reflect the band's egalitarian, leaderless approach and cohesive group sound. Almost three years after the recording of their previous release Entoloma (Audio Cave), the group reunited in December 2024 at Studio S4 in Warsaw to record a fresh set of ten compositions. Spread over two sides, the album captures the continued evolution of a band that thrives on interaction, trust, and shared purpose - even in a society fractured by post-pandemic socio-economic uncertainty and political ambiguity. Featuring contributions from all four members - pianist Kateryna Ziabliuk, saxophonist Monia Muc, bassist Kamila Drabek, and drummer Patrycja Wybra?czyk - the record reflects their commitment to artistic democracy. Each voice is given space, yet the music always feels greater than the sum of its parts. Even on the miniature solo track [solo form], the other three players remain present, supportive, and responsive. From Ziabliuk's percussive piano textures and dreamlike voicings on tracks like Oslo and Berio, to Muc's expressive, woody tone on alto and baritone sax, each piece explores dynamic interplay and shifting emotional landscapes. Drabek's resonant, grounded bass - by turns lyrical and propulsive - provides a central thread, while Wybraczyk's drumming fizzes with precision and imagination, as heard on Cipher and the angular closer Sneaking Around. Together, these four distinctive creative forces have developed a shared language built on mutual respect, long-term collaboration, and deep listening. Their concerts across Europe (including Jazzahead, B-Jazz, Umea, and the Edinburgh Jazz & Blues Festival) have affirmed their standing as a boundary-pushing group with something new to say.

Description

Third album from Polish acoustic jazz quartet O.N.E. Grounded in the spirit of democracy and collective improvisation, the album offers a tightly woven set of original compositions that blur the lines between modal jazz lyricism and the raw energy of free improvisation. The band name O.N.E. is a clever double entendre: in Polish, "one" (pronounced oh-neh) means "they" in the feminine plural - an apt nod to the all-female lineup. In English, of course, it signifies unity. Both meanings reflect the band's egalitarian, leaderless approach and cohesive group sound. Almost three years after the recording of their previous release Entoloma (Audio Cave), the group reunited in December 2024 at Studio S4 in Warsaw to record a fresh set of ten compositions. Spread over two sides, the album captures the continued evolution of a band that thrives on interaction, trust, and shared purpose - even in a society fractured by post-pandemic socio-economic uncertainty and political ambiguity. Featuring contributions from all four members - pianist Kateryna Ziabliuk, saxophonist Monia Muc, bassist Kamila Drabek, and drummer Patrycja Wybra?czyk - the record reflects their commitment to artistic democracy. Each voice is given space, yet the music always feels greater than the sum of its parts. Even on the miniature solo track [solo form], the other three players remain present, supportive, and responsive. From Ziabliuk's percussive piano textures and dreamlike voicings on tracks like Oslo and Berio, to Muc's expressive, woody tone on alto and baritone sax, each piece explores dynamic interplay and shifting emotional landscapes. Drabek's resonant, grounded bass - by turns lyrical and propulsive - provides a central thread, while Wybraczyk's drumming fizzes with precision and imagination, as heard on Cipher and the angular closer Sneaking Around. Together, these four distinctive creative forces have developed a shared language built on mutual respect, long-term collaboration, and deep listening. Their concerts across Europe (including Jazzahead, B-Jazz, Umea, and the Edinburgh Jazz & Blues Festival) have affirmed their standing as a boundary-pushing group with something new to say.