Description
Jérôme Ducharme: Guitar Recital Matthew Dunne has a distinguished reputation as a guitarist. A pupil of Bruce Holzman at Florida State University and of Aaron Shearer at the North Carolina School of the Arts, he was also awarded a scholarship for the Banff Centre for Fine Arts, combining his skills in classical and jazz performance. He is head of the guitar programme at the University of Texas at San Antonio and holds a doctorate from the University of Texas at Austin in classical and jazz performance. His Appalachian Summer was written for the 2005 Guitar Foundation of America Competition, held at Oberlin. The work makes the expected varied demands on a performer, opening with gentle lyricism, before moving to a section of great rapidity. A slower section, which explores the singing quality of the instrument in the mood of the opening, leads to a final return of the rapid virtuosity heard in the second section of a work that is both challenging to a performer and pleasing to a listener. Born in Québec in 1938, Jacques Hétu studied piano, harmony and Gregorian chant at the University of Ottawa with Jules Martel before entering the Conservatoire de Montréal in 1956, to study there with Clermont Pépin, Jean Papineau-Couture and Isabelle Delorme. In the summer of 1959 he attended the Berkshire Music Center at Tanglewood, where he studied with Lukas Foss. Awarded the Prix d'Europe in 1961, he travelled to Paris, studying composition there with Henri Dutilleux and analysis with Olivier Messiaen. Returning to Québec in 1963, he served in various academic positions at the Université Laval and the Université de Montréal, followed, from 1979 to 2000, by the Université du Québec à Montréal, where he was head of the music department from 1980-82 and 1986-88. Awarded various honours, he has been prolific as a composer. His guitar Suite, Op. 41, was written in 1986. In five relatively short movements, it opens with an angular Prélude. This is followed by a gentle Nocturne, with the Ballade undertaking a more dramatic exploration of the material. Rêverie makes use of the characteristic intervals of guitar tuning and the Suite ends with a movement that initially makes a strong contrast, its meditative heart preceded and followed by music of greater rapidity. A leading figure in the music of Catalonia, Joan (Juan) Manén was born in Barcelona in 1883. From the age of three he studied the piano with his father, making very rapid progress. He started to learn the violin at the age of five and four years later appeared in Latin America, giving his first concert in 1898 in Europe, where he was on occasion accompanied by Granados. His contemporary reputation was primarily as a virtuoso violinist. He showed equal precocity, however, as a composer, an art in which he was largely self-taught. His first opera,