Beethoven: Piano Sonatas Nos. 5-7, Op. 10 And No. 25, Op. 79

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Cat No: 8550161

Release Date: 12 January 2000

Label: Naxos - Nxc / Naxos Classics

Packaging Type: Jewel Case

No of Units: 1

Barcode: 4891030501614

Genres: Classical

Composer/Series: BEETHOVEN

Description
Ludwig van Beethoven (1770- 1827) Sonata No.5 in C Minor, Opus 10 No.1 Sonata No.6 In F Major, Opus 10 No.2 Sonata No.7 In D Major, Opus 10 No.3 Sonata No.25 In G Major, Opus 79Ludwig van Beethoven was born in Bonn inDecember, 1770, the son of Johann van Beethoven, a singer in the service of theArchbishop of Cologne, and, more important, the grandson of Ludwig vanBeethoven, Kapellmeister to the same patron. It was perhaps the verydistinction and strength of character of the head of the family that lay at theroot of Johann van Beethoven's inadequacy as a father and final professionalincompetence. The elder Ludwig died in 1773, but was to remain for his grandsona powerful posthumous influence, while Johann slid further into habits ofdissipation, with Ludwig, his eldest surviving son, assuming in 1789 the roleof head of the family, with responsibility for his two younger brothers. In Bonn Beethoven received erraticmusical training at home, followed by a much more thorough course of study withChristian Gottlob Neefe, who was appointed court organist in 1781. By 1784Beethoven had entered the paid service of the Archbishop as deputy courtorganist, employed as a viola-player or as cembalist in the court orchestra,and turning his hand increasingly to composition. A visit to Vienna in 1788 forthe purpose of study with Mozart led to nothing, cut short by the illness andsubsequent death of his mother, but in 1792 he was to return to the imperialcapital, again with his patron's encouragement, to take lessons with Haydn. Beethoven came to Vienna with the highestrecommendations and was quick to establish himself as a pianist and composer.From Haydn he claimed to have learned nothing, but he was to undertake furtherstudy with Johann Georg Albrechtsberger in counterpoint and with the courtKapellmeister Antonio Salieri in vocal and dramatic setting. More important hewas to attach himself to a series of noble patrons who were to couplegenerosity with forbearance throughout his life.As a young composer in Bonn Beethoven hadfollowed the trends of his time; in Vienna he was increasingly to develop hisown unmistakable and original musical idiom, sometimes strange and uncouth bythe standards of the older generation, but suggesting completely new worlds toothers. It was an apparent stroke of fate that played an essential part in thisprocess. By the turn of the century Beethoven had begun to experience bouts ofdeafness. It was this inability to hear that inevitably directed his attentionto composition rather than performance, as the latter activity becameincreasingly impossible. Deafness was to isolate him from society and toaccentuate still further his personal eccentricities of behaviour, shown in hissuspicious ingratitude to those who helped him and his treatment of his nephewKarl and his unfortunate sister-in-law.In Vienna Beethoven lived throughturbulent times. The armies of Napoleon, once admired by Beethoven as anenlightened republican, until he had himself crowne
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