Release Date: 05 January 2002
Label: Naxos - Nxc / Naxos Classics
Packaging Type: Jewel Case
No of Units: 1
Barcode: 747313586820
Genres: Classical
Composer/Series: WALTON
Description
William Walton (1902-1983)The Quest • Siesta • The Wise VirginsWalton’s characterful and highly theatrical score for his only original ballet, The Quest, is the most enigmatic of his entire œuvre. At forty minutes duration it constitutes one of his half-dozen most substantial works, yet since the limited run of the original production in 1943 it has received only two further performances, a first recording in 1990 and the present one. Part of the explanation lies in the fact that, in the confusion of wartime, Walton and the ballet company lost track of its whereabouts; only in 1958 was the score rediscovered in a warehouse in North London. In 1943 the Sadler’s Wells Ballet was in a very low state of morale because its chief choreographer, Frederick Ashton, had for two years been serving as an intelligence officer in the RAF. Thanks to the efforts of Kenneth Clark, the distinguished art historian, later author of the television series Civilization, he was suddenly given six week’s leave to create a new ballet for the company. Ashton decided that Walton was the obvious choice of composer for a major new score, and to inspire and assist him, made a detailed timed synopsis of what was required, which Walton was to follow remarkably closely. Less obvious was the subject matter that Ashton chose for his new ballet. This was a scenario prepared by his friend the writer Doris Langley Moore that was derived from the allegorical poem The Faerie Queene by Shakespeare’s contemporary Edmund Spenser. Intractable material for a ballet, it might be thought, but as it featured St George and presented in graphic form the conflict between good and evil, it provided a good opportunity to present a morale-boosting patriotic spectacle at a low point in the war. The conditions under which the ballet was created were far from ideal, quite apart from the very tight schedule imposed by the limitations of Ashton’s leave. The company was on tour, while Walton was living in rural Northamptonshire. Getting the piano score of each hurriedly composed section to Ashton and the company was fraught with difficulty, and the composer frequently had to resort to bribing guards on trains to act as couriers. Eventually choreography, orchestration and design came together, and the ballet received its première on 6th April 1943 at the New Theatre, London. Ninette de Valois’ Sadler’s Wells Company danced, scenery and costumes were by John Piper, Constant Lambert conducted and the cast included Margot Fonteyn, Beryl Grey, Moira Shearer and Robert Helpmann. Sadly the production failed to impress and did not stay long in the repertory, although both Ashton and Walton found an opportunity to tighten its structure.A brief outline of the complex plot is as follows:Scene I. 1 Lost in a storm, St George, personifying Holiness [1:32] and Una (Truth) fall under the spell of the magician Archimago (Hypocrisy). Una dances a weary
Tracklisting
Dariia Lytvishko
Baltimore Symphony Orchestra; Marin Alsop
Alice Di Piazza; Basel Sinfonietta; NDR Bigband; Titus Engel
Anna Alas i Jove; Miquel Villalba
David Childs; Black Dyke Band; Nicholas Childs
Yaqi Yang; Margarita Parsamyan; Robynne Redmon; Minghao Liu; Frank Ragsdale; Kim Josephson; Kevin S
Vilmos Csikos; Olivier Lechardeur; Manon Lamaison
Tomas Cotik; Martingale Ensemble; Ken Selden
