Description
Felix Mendelssohn (1809 - 1847) Six Preludes and Fugues, Op. 35 Three Caprices, Op. 33 Perpetuum mobile in C major, Op. 119 Felix Mendelssohn was born in Hamburg in 1809, son of the banker Abraham Mendelssohn and grandson of the great Jewish thinker Moses Mendelssohn, the model for Lessing's Nathan the Wise, the epitome of tolerance in a generally intolerant world. In 1812 the family moved to Berlin after the French occupation of Hamburg and it was there that Mendelssohn received his education, in music as a pupil of Carl Zelter, for whom the boy seemed a second Mozart. As a child he was charming and precocious, profiting from the wide cultural interests of his parents and relations, excelling as a pianist and busy with composition after composition. In 1816 he was baptized a Christian, a step that his father took six years later, accepting what Heine described as a ticket of admission into European culture, although it was one not always regarded as valid by prejudiced contemporaries. Abraham Mendelssohn sought the best advice when it came to his son's choice of career. Cherubini, director of the Paris Conservatoire, was consulted, and, while complimenting Abraham Mendelssohn on his wealth, agreed that his son should become a professional musician, advice given during the course of a visit to Paris in 1825, when Mendelssohn met many of the most distinguished composers and performers of the day. In Berlin his career took shape, with prolific composition and activity as a pianist and as a conductor. His education was to include a period of travel throughout Europe, a Grand Tour that took him as far north as Scotland and as far south as Naples, his journeys serving as sources of inspiration. In 1835 Mendelssohn was appointed conductor of the Leipzig Gewandhaus Orchestra. There were, at the same time, other commitments to be fulfilled in a short career of intense activity. In Leipzig he established a series of historical concerts, continuing the revival of earlier music on which he had embarked under Zelter with the Berlin performance of Bach's St. Matthew Passion in 1829. At the same time he gave every encouragement to contemporary composers, even to those for whom he felt little sympathy. At the insistence of the Prussian King Friedrich Wilhelm IV he accepted an official position in Berlin, but this failed to give him the satisfaction he had found in Leipzig, where he established the Conservatory in 1843 and where he spent his final years until his death at the age of 38 on 4th November 1847, six months after the death of his beloved sister Fanny. Mendelssohn's Six Preludes and Fugues, Opus 35, were written over a number of years and completed as a set in 1837. The first of the group, the Prelude and Fugue in E minor has a Prelude, marked Allegro con fuoco, with its scintillating arpeggios, written in 1837, to be paired with a Fugue written at the bedside of his dying friend August Hanstein ten years before. It leads to an impressive chorale at it