Description
Wolfgang Amadeus Mozart (1756 - 1791) Cassation in G Major, K. 63 Cassation in B Flat Major, K. 99 Cassation (Serenade) in D Major, K. 100Wolfgang Amadeus Mozart was born in Salzburg in 1756, the son of a court musician who, in the year of his youngest child's birth, published an influential book on violin-playing. Leopold Mozart rose to occupy the position of Vice-Kapellmeister to the Archbishop of Salzburg, but sacrificed his own creative career to that of his son, in whom he detected early signs of precocious genius. With the indulgence of his patron, he was able to undertake extended concert tours of Europe in which his son and his elder sister Nannerl were able to astonish audiences. The boy played both the keyboard and the violin and could improvise and soon write down his own compositions.Childhood that had brought signal success was followed by a less satisfactory period of adolescence largely in Salzburg, under the patronage of a new and less sympathetic Archbishop Mozart, like his father, found opportunities far too limited at home, while chances of travel were now restricted. In 1777, when leave of absence was not granted, he gave up employment in Salzburg to seek a future elsewhere, but neither Mannheim nor Paris, both musical centres of some importance, had anything for him. His Mannheim connections, however, brought a commission for an opera in Munich in 1781, and after its successful staging he was summoned by his patron to Vienna. There Mozart's dissatisfaction with his position resulted in a quarrel with the Archbishop and dismissal from his service.The last ten years of Mozart's life were spent in Vienna in precarious independence of both patron and immediate paternal advice, a situation aggravated by an imprudent marriage. Initial success in the opera-house and as a performer was followed, as the decade went on, by increasing financial difficulties. By the time of his death in December 1791, however, his fortunes seemed about to change for the better, with the success of the German opera The Magic Flute, and the possibility of increased patronage.The derivation of the word Cassation, a title current in south Germany in the third quarter of the eighteenth century, is open to dispute. Some have proposed the Italian word cassare, to send away, or cassa, a drum, while others have suggested the French casser, to break. German scholars have preferred the curious eighteenth century German Cassaten or gassatim spielen, to describe a street serenade, from the word Gasse. The word Cassation is generally applied to compositions otherwise known as serenades or divertimenti, works in a lighter style in a series of short movements. Mozart himself uses the word to describe the compositions K. 63 and K. 99, as well as the March, K. 62, supposedly part of the K. 100 Serenata. In a letter of 4th August 1770 to his sister, written in Bologna in high spirits, he gives the opening bars of the three works, apparently in reply to her suggestion that