Only After Dark: The Complete Mainman Recordings

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Cat No: CRCDBOX85

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Release Date: 29 November 2019

Label: Cherry Red

Packaging Type: Clamshell

No of Units: 4

Barcode: 5013929108509

Genres: Rock

Description
- When David Bowie announced at the Hammersmith Odeon on 3^rd July 1973 that he (or, as it subsequently turned out, alter-ego Ziggy Stardust) was breaking up the band, manager Tony Defries glimpsed a golden opportunity rather than the end of an era. With the MainMan agency’s main man coming off the road for at least a while, there was, Defries reasoned, space in the rock star firmament for a new Bowie, particularly one who would also be under MainMan’s management…
- Thus it was that Bowie’s faithful right-hand man, Mick Ronson, was thrust into the spotlight. Possibly the most reluctant solo performer ever, Ronno was given three weeks to write and record a debut solo album. With Bowie’s help (he contributed three songs to the set), “Slaughter On 10^th Avenue” was quickly pieced together after the conclusion of the “Pin Ups” sessions. Despite its rushed nature it was a strong effort, and the LP reached the UK album charts Top Ten.
- Buoyed by this success, Ronson then recorded a second album, “Play Don’t Worry” - although before it could appear, he’d accepted Ian Hunter’s invitation to join Mott The Hoople. As a result, Mick’s sophomore solo set was largely overlooked, and his lukewarm attempts to promote it were further scuppered by his and Ian Hunter’s decision to leave Mott and relocate to America.
- Sadly “Slaughter On 10^th Avenue” and “Play Don’t Worry” would be the only solo albums released during Mick’s lifetime: after his departure from MainMan in mid-1976, he largely preferred to work in a group context rather than as a solo performer.
- Nevertheless, he did continue to record sporadically as a solo act. A 4-CD set, Only After Dark chronicles his peripatetic solo work during the rest of the seventies after his split with Bowie, with those two official albums joined by B-sides, alternative versions, outtakes and a plethora of unissued-at-the-time studio recordings (including a handful with Guam, the backing band for Bob Dylan’s legendary 1975 Rolling Thunder tour) and various highlights from his live shows. Featuring some rare photos and a lengthy new essay on his Seventies career, Only After Dark is the most comprehensive anthology to date of a major talent.
Tracklisting