198028323529
198028135412

The Spectral Sorrows (Re-issue)

Edge of Sanity

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Format: 2CD

Cat No: 19802832352

Format Details:

Format Details:

Release Date:  06 December 2024

Label:  Century Media Records

Packaging Type:  Brilliant Case (Jewel Case size, Holds 2 CDs)

No of Units:  2

Barcode:  198028323529

Genres:  Hard Rock & Metal  Metal  

Release Date:  06 December 2024

Label:  Century Media / Century Media Records

Packaging Type:  Slip Sleeve (CD or Vinyl)

No of Units:  1

Barcode:  198028135412

Genres:  Hard Rock & Metal  Metal  

  • Description

    EDGE OF SANITY - BEYOND THE UNKNOWN

    Edge of Sanity were not alone in their extreme metal ascent but were unique. A few Swedish bands have accomplished more conceptually and musically throughout the group's journey from eager teenagers in the late eighties to Edge of Sanity's final throes in 2003. While what they did at the time caused alarm, in hindsight, it all makes sense. The first death metal "ballad" can be found in "When All Is Said". The clean vocal in "Enigma" was uncommon and possibly too forward-thinking in 1992. Fresh out of early retirement, Edge of Sanity imposed not only a gothic rock song ("Sacrificed") but also a Manowar cover ("Blood of My Enemies") when experimentation was not de rigueur. Coloring outside of well-established lines was career suicide in then-myopic death metal. Yet, Edge of Sanity did it time and again. They dared to make a single-song album on Crimson, a 40-minute adventure out of step with industry norms. And when it was all said and done, they vanished into thin air (as they had a few times before) in 2003: fourteen years and eight albums, a strident strike against convention yet a veritable spearhead of what was to come.

    EDGE OF SANITY - CHAPTER I

    Formed by Dan Swan? (vocals), Andreas "Dread" Axelsson (bass), Benny Larsson (drums) and Sami Nerberg (guitars) in Finsp?ng, Sweden, in 1989, Edge of Sanity weren't purely death metal at the beginning. Their aggro-oriented thrash had more in common with Pestilence and Voivod than Death and Entombed. The group's rough five-song demo, Euthanasia, had all the usual earmarks-pissed-off teens inspired by rage-filled dark music. The demo was whisked off to various media outlets, and British magazine Kerrang! responded kindly. Inspired by the feedback, Edge of Sanity reconfigured their lineup-Dread moved from bass to guitar, and Anders Lindberg was employed on bass. This would be the Edge of Sanity lineup until Cryptic in 1997 and during a brief reanimation when it was solely Swan? on Crimson II in 2003. Back to the follow-up to Euthanasia: the first release to come out of the newly formed five-piece was The Immortal Rehearsals in 1990. Kur-Nu-Gi-A arrived next, also in 1990. Essentially, the band re-recorded The Immortal Rehearsals to form-with the addition of "Maze of Existence"-the Kur-Nu-Gi-A demo. On the strength of Kur-Nu-Gi-A, Edge of Sanity received a four-option deal from fledgling Swedish label Black Mark Production. The Dead, again in 1990, wasn't a demo per se but a promo for Black Mark's head honcho, B?rje "Boss" Forsberg.

    Edge of Sanity's debut album, Nothing But Death Remains, arrived on Black Mark Production in 1991. Competing for attention with Dismember's Like an Everflowing Stream, Unleashed's Where No Life Dwells and Grave's Into the Grave in Sweden, as well as Autopsy's Mental Funeral, Morbid Angel's Blessed Are the Sick and Death's Human in the States, the kids from ?sterg?tland delivered a spry bruiser. At the behest of Boss, a series of promos

    Description

    EDGE OF SANITY - BEYOND THE UNKNOWN

    Edge of Sanity were not alone in their extreme metal ascent but were unique. A few Swedish bands have accomplished more conceptually and musically throughout the group's journey from eager teenagers in the late eighties to Edge of Sanity's final throes in 2003. While what they did at the time caused alarm, in hindsight, it all makes sense. The first death metal "ballad" can be found in "When All Is Said". The clean vocal in "Enigma" was uncommon and possibly too forward-thinking in 1992. Fresh out of early retirement, Edge of Sanity imposed not only a gothic rock song ("Sacrificed") but also a Manowar cover ("Blood of My Enemies") when experimentation was not de rigueur. Coloring outside of well-established lines was career suicide in then-myopic death metal. Yet, Edge of Sanity did it time and again. They dared to make a single-song album on Crimson, a 40-minute adventure out of step with industry norms. And when it was all said and done, they vanished into thin air (as they had a few times before) in 2003: fourteen years and eight albums, a strident strike against convention yet a veritable spearhead of what was to come.

    EDGE OF SANITY - CHAPTER I

    Formed by Dan Swan? (vocals), Andreas "Dread" Axelsson (bass), Benny Larsson (drums) and Sami Nerberg (guitars) in Finsp?ng, Sweden, in 1989, Edge of Sanity weren't purely death metal at the beginning. Their aggro-oriented thrash had more in common with Pestilence and Voivod than Death and Entombed. The group's rough five-song demo, Euthanasia, had all the usual earmarks-pissed-off teens inspired by rage-filled dark music. The demo was whisked off to various media outlets, and British magazine Kerrang! responded kindly. Inspired by the feedback, Edge of Sanity reconfigured their lineup-Dread moved from bass to guitar, and Anders Lindberg was employed on bass. This would be the Edge of Sanity lineup until Cryptic in 1997 and during a brief reanimation when it was solely Swan? on Crimson II in 2003. Back to the follow-up to Euthanasia: the first release to come out of the newly formed five-piece was The Immortal Rehearsals in 1990. Kur-Nu-Gi-A arrived next, also in 1990. Essentially, the band re-recorded The Immortal Rehearsals to form-with the addition of "Maze of Existence"-the Kur-Nu-Gi-A demo. On the strength of Kur-Nu-Gi-A, Edge of Sanity received a four-option deal from fledgling Swedish label Black Mark Production. The Dead, again in 1990, wasn't a demo per se but a promo for Black Mark's head honcho, B?rje "Boss" Forsberg.

    Edge of Sanity's debut album, Nothing But Death Remains, arrived on Black Mark Production in 1991. Competing for attention with Dismember's Like an Everflowing Stream, Unleashed's Where No Life Dwells and Grave's Into the Grave in Sweden, as well as Autopsy's Mental Funeral, Morbid Angel's Blessed Are the Sick and Death's Human in the States, the kids from ?sterg?tland delivered a spry bruiser. At the behest of Boss, a series of promos

  • Tracklisting

      Disc 1

      Side 1

      • 1. The Spectral Sorrows (Remaster 2024)
      • 2. Darkday (Remaster 2024)
      • 3. Livin' Hell (Remaster 2024)
      • 4. Lost (Remaster 2024)
      • 5. The Masque (Remaster 2024)
      • 6. Blood of My Enemies (Remaster 2024)
      • 7. Jesus Cries (Remaster 2024)
      • 8. Across the Fields of Forever (Remaster 2024)
      • 9. On the Other Side (Remaster 2024)
      • 10. Sacrificed (Remaster 2024)
      • 11. Waiting to Die (Remaster 2024)
      • 12. Feedin' the Charlatan (Remaster 2024)
      • 13. A Serenade for the Dead (Remaster 2024)

      Disc 2

      • 1. The Spectral Sorrows (Remix 2024)
      • 2. Darkday (Remix 2024)
      • 3. Livin' Hell (Remix 2024)
      • 4. Lost (Remix 2024)
      • 5. The Masque (Remix 2024)
      • 6. Blood of My Enemies (Remix 2024)
      • 7. Jesus Cries (Remix 2024)
      • 8. Across the Fields of Forever (Remix 2024)
      • 9. On the Other Side (Remix 2024)
      • 10. Sacrificed (Remix 2024)
      • 11. Waiting to Die (Remix 2024)
      • 12. Feedin' the Charlatan (Remix 2024)
      • 13. A Serenade for the Dead (Re-recording 2024)
      • 14. Pernicious Anguish (Remix 2024)

    Tracklisting

      Disc 1

      Side 1

      • 1. The Spectral Sorrows
      • 2. Darkday
      • 3. Livin' Hell
      • 4. Lost
      • 5. The Masque
      • 6. Blood of My Enemies

      Side 2

      • 1. Jesus Cries
      • 2. Across the Fields of Forever
      • 3. On the Other Side
      • 4. Sacrificed
      • 5. Waiting to Die
      • 6. Feedin' the Charlatan
      • 7. A Serenade for the Dead