Jennifer Vyvyan; Haydn & London Philharmonic Orchestras
Release Date: 06 October 2017
Label: Australian Eloquence
Packaging Type: Jewel Case
No of Units: 1
Barcode: 0028948250493
Description
The role of Constanze in Die Entführung aus dem Serail is famously one of the most demanding, not only among Mozart's operas but in the entire dramatic coloratura repertoire. The singer should have youth on her side, yet the technique to master two long and taxing arias placed almost back to back, and the emotional maturity to convey the character's plight as a prisoner and slave. 'One rarely finds a singer to do it justice,' as the Opera magazine reviewer remarked of a Sadler's Wells production in October 1952. And yet, in Jennifer Vyvyan, he did: 'her voice is excellently placed … she is already a highly accomplished singer, and there is every possibility that she will become a great one.'
Entführung has never commanded the record catalogues like the Da Ponte trilogy, and thus the opportunity was lost to capture Vyvyan in the this and the other Mozartian role which she often sang near the start of her career, Elettra in Idomeneo. By way of partial compensation, she recorded for Decca in 1957–58 a studio album of dramatic scenes and arias by Haydn and Mozart, which are distinguished by the qualities noted above of her work on stage. 'Ah, lo previdi' and 'Ch'io mi scordi di te' are hardly less technically challenging than Constanze's arias, but Vyvyan sings them with sovereign authority and the penetrating tone that contributed to her imposing stage presence.
Indeed her particular combination of authority and vulnerability, both on stage and in life, were qualities captured by Benjamin Britten in the several principal roles he wrote for her such as the Governess in The Turn of the Screw and Tytania (spelled thus in honour of Vyvyan herself) in A Midsummer Night's Dream.
'I have nothing but admiration for the assurance and agility with which [Jennifer Vyvyan] negotiates these vocal precipices … The tight little vibrato in her voice is completely in place in moods of passion and anguish … Harry Newstone's accompaniment is unfailingly alert, and the recording excellent.' Gramophone, October 1960.
Tracklisting
Joshua Bell
Irmgard Seefried
Concertgebouworkest / Colin Davis
Michael Tilson Thomas
Bayerischer Staatsopernchor & Orch, Keilberth
Andor Foldes; Ferdinand Leitner
Andor Foldes
Various artists
Polina Pastirchak, Anke Vondung, Sungmin Song, Milan Siljanov, Chorwerk Ruhr, Bochumer Symphoniker,
Kammerchor Stuttgart; Barockorchester Stuttgart; Frieder Bernius; Hannah Morrison; Franziska Bobe;
Choralchor der St. Johannis-Kantorei Rostock
Capella Daleminzia, Capella Vocale Waldheim, Rene Michael Roder
Gewandhaus Children's Choir, Frank-Steffen Elster, Gewandhaus Youth Choir, Gewandhaus Choir, Gregor
Aukso - Chamber Orchestra Of The City Of Tychy, Camerata Silesia Katowice City Singers' Ensemble, Marek Mos
Herbert von Karajan; The Philharmonia Orchestra; Berliner Philharmoniker
Soloists, Netherlands Chamber Choir, Orchestra of the 18th Century, Frans Bruggen
