Good For You (Stained Glass Green)

Description

Slowly brought to life in Houndmouth's longtime headquarters - The Green House, a 19th-century shotgun-style residence decked out in gold wallpaper and crystal chandeliers that used to belong to Cody's grandparents - 'Good For You' bears a hi-fi minimalism that illuminates the record's skillfully crafted storytelling.

Houndmouth enfolds entire novels within their lyrics: over Good For You's ten tracks, a motley cast of characters race through scenes saturated with magic. From beauty queens and Cinderella's limousine in "Cool Jam," to vampires and parking lot lovers in "Ride or Die," Houndmouth whimsically captures the ache of stagnant love affairs and the fleeting joys of aging with a surrealist flair.

But atop Good For You's melancholy motifs lies a wealth of dulcet melodies that waltz sweetly across beds of celestial organs and grungy guitar riffs. The ten songs sparkle, fade, and sparkle again, mixing jaded wisdom with hopeful harmonies. "This album felt like being back in time again, only now everything is a little more dialed-back and cared-for," says Cody. "It was like a return to the way we fell in love with playing music together." Good For You tenderly tones down the youthful abandon of the band's early days, imbuing their "earthen and imaginative folk" (NPR Music) with distinctive, finespun balladry.

Description

Slowly brought to life in Houndmouth's longtime headquarters — The Green House, a 19th-century shotgun-style residence decked out in gold wallpaper and crystal chandeliers that used to belong to Cody's grandparents — Good For You bears a hi-fi minimalism that illuminates the record's skillfully crafted storytelling.

Houndmouth enfolds entire novels within their lyrics: over Good For You's ten tracks, a motley cast of characters race through scenes saturated with magic. From beauty queens and Cinderella's limousine in "Cool Jam," to vampires and parking lot lovers in "Ride or Die," Houndmouth whimsically captures the ache of stagnant love affairs and the fleeting joys of aging with a surrealist flair.

But atop Good For You's melancholy motifs lies a wealth of dulcet melodies that waltz sweetly across beds of celestial organs and grungy guitar riffs. The ten songs sparkle, fade, and sparkle again, mixing jaded wisdom with hopeful harmonies. "This album felt like being back in time again, only now everything is a little more dialed-back and cared-for," says Cody. "It was like a return to the way we fell in love with playing music together." Good For You tenderly tones down the youthful abandon of the band's early days, imbuing their "earthen and imaginative folk" (NPR Music) with distinctive, finespun balladry.

Description

On their new album Good For You, Houndmouth share a collection of songs set in places as far-flung as the Alamo and the Hudson River, each populated by a motley cast of characters: fairy-tale princesses and vampires, parking-lot lovers and wanna-be beauty queens. The fourth full-length from the Indiana-bred band--vocalist/guitarist Matthew Myers, drummer/vocalist Shane Cody, and bassist/vocalist Zak Appleby--the result is a lovingly gathered catalogue of those wild and fleeting moments that stay lodged in our hearts forever, taking on a dreamlike resonance as years go by. Good For You bears a hi-fi minimalism that beautifully illuminates its finespun storytelling.

For Houndmouth, the making of Good For You allowed for a major leap forward in their songwriting and sound while recalling the pure abandon of the band's early days. "I remember the first time I ever came to the Green House and saw what was happening here and I thought, 'I'm never leaving this place,'" says Myers, who met Appleby and Cody in high school and started collaborating with them in college. "This album felt like being back in that time again, only now everything's a little more dialed-back and cared-for. It was like a return to the way we fell in love with playing music together."