Under My Bed (Jewel Case)
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Format Details: Jewel Case
Release Date: 25 October 2019
Label: Ace Records
Packaging Type: Jewel Case
No of Units: 1
Barcode: 029667096522
Format Details: Jewel Case
Release Date: 25 October 2019
Label: Ace Records
Packaging Type: Jewel Case
No of Units: 1
Barcode: 029667096522
Description
Sassy, self-assured and sensuous, "Under My Bed"� pulls back the covers to reveal a dozen new songs from Britain's reigning blues queen. Sizzling, bold, ebullient, provocative, spiritual, sensual, life-affirming, beautiful, earthy, gifted, different, brave, regal, down-to-earth, celestial. All these words describe Dana Gillespie. Yet none comes close to containing her. Perhaps that's because, in a life in music that's lasted six decades, she has well and truly transcended labels. Yes, she's Britain's premier blues diva, but you'll also hear touches of Stax-era soul, jazz and R&B on this outstanding album. Pop is an industry that tells singers they're old at 23. In blues, it is understood that true artists don't deteriorate, they just get better. Consequently, there is no such thing as atrophy when it comes to Dana's talents. She only improves. She's not retreating into soft-focus "heritage artist"� projects like the kind of orchestrated, reheated oldies compilations issued by some of her peers. She still has something to say and the wherewithal to say it. In 1980, Elton John issued an album called "21 At 33"�, its title a nod to the fact that at 33 years of age he was releasing his 21st album. By that logic, "Under My Bed"� is "70 At 70"�. "It is my 70th album,"� Dana confirms. "But that includes all the Indian albums, Mustique Blues Festival albums and the various stage musical albums."� Musicals, folk, pop, singer/songwriter, Indian sacred music, rock, soul... the sheer stylistic reach of Dana's work places her in an exclusive group of artists who can successfully try their hands at almost anything. But it is with the blues that Dana finds her true calling. The songs that make up "Under My Bed"� were written over a four-year period with co-producer, guitarist and London Blues Band member, Jake Zaitz. "Jake leaves me what could be described as a backing track of chords and this music tells me what to write and what the melody should be. The music always guides me as to what I should write. The music is my inner voice and it tells me what to do. I hear melodies all around me, all the time, so I'm never alone. I always have a song bubbling away in my head."� By this mystical and intuitive approach to writing, Dana ends up with songs that sound utterly natural, as if they've been plucked, fully-formed, from the ether. Each one inhabits its own, completed, fully realised universe. Dana's lyrics, by turns wry, tart, witty and wise, are full of clever, amusing, original bons mots. In 'Big Mouth', the tight, jive-based opening track, Dana skewers self-important blowhards the world over with the pointed observation, "you talk too much from your north and south"�. With 'Old School' - as autobiographical a statement as any you'll find on the album - while her band delivers a sultry, irresistible groove, Dana sings the memorable aphorism, "I know all the loud noise comes from the shallow end of a swimming pool"�. "All these songs are founded on my own
Tracklisting
Various Artists
Various Artists
Various Artists
Various Artists
Various Artists
Various Artists
Various Artists
Various Artists
Various Artists
Dana Gillespie
Dana Gillespie
Dana Gillespie
Dana Gillespie
Various Artists
Dana Gillespie