Christoph Maria Moosmann, Bamberger Symphoniker
Description
This year the world is celebrating the 500th year of death of the outstanding Dutch Renaissance painter Hieronymus Bosch (†1516).
“Hieronymus Bosch’s pictorial worlds exercised an immense fascination on me already during my youth, and this has not at all waned over the years�, Horst Lohse notated whilst working on his Hieronymus Bosch Triptych.
In the parts of this work, composed consecutively over the course of 23 years, he dedicates himself to three elements of the “Madrid Panel� ascribed to Bosch, which came to Spain via Philip II and is today preserved in the Museo del Prado. First of all, the central round picture (“The Seven Deadly Sins�, 1989), then the four small round pictures in the corners of the panel (“The Four Last Things�, 1996 / 97) and, finally, the tension between the black base and the centre of the middle round picture (“Cave cave Dominus videt�, 2011 /12).
“The demands made by the Hieronymus Bosch Tripty¬chon on the instrument are enormous: remote aliquots, two 32’ registers, glockenspiel, mechanical stop action, a manual range up to C7 and a sound “like an echo sounding from afar�.
Chr. M. Moosmann
Tracklisting
Andreas Skouras, Bela Bartok, Gyorgy Ligeti, Wolfgang von Schweinitz, Pascal Dusapin, Unsuk Chin, Y
Mikael Rudolfsson, Olivier Vivares, Gerard Grisey, Luciano Berio, Eloain Lovis Hubner, Bernhard Gan
John Palmer, Delphine Henriet, Barbara Maurer, Hofer Symphoniker, Alinde Quartett, Johannes Klumpp,
Johannes Maria Staud, Boulanger Trio, Ensemble Modern, Ensemble Recherche, Ludwig Chamber Players,
Eres Holz, Ingolfur Vilhjalmsson, Laurent Bruttin, Florian Juncker, E-MEX Ensemble, Christoph Maria
Robert M. Helmschrott
Robert M. Helmschrott
Kevin Juillerat, Cedric Pecia
Yoichi Sugiyama
Slava Guerchovitch
Francesco Ledda, Opera Discovery Orchestra, Stefanna Kybalova, Valer Borin, Marcello Lippi, Paolo B
Karolos
Daniel Di Prinzio, Ihor Kordiuk
Nora von Marschall
Isabel Schicketanz
The Counterpoints
