Roland Hermann; Colette Lorand; Fritz Uhl; Josef Grendl; Kieth Engen; Heinz Cramer; Erika Ruggeberg
Description
What Carl Orff created with his Prometheus score is neither an opera in the traditional sense, nor an oratorio, nor a play with music, not even ?authentic? classical tragedy. Rather, it?s an extremely individual musical interpretation of Aeschylus? tragedy that concentrates primarily on the symbolic imagery of the scenes, which ? as Orff himself said ? ?is accentuated and visualised by the music?, thereby enlightening the spectator and the listener.
?No question about it ? of all the celebrations accorded to Carl Orff in Munich following his 80th birthday on 10 July [1975], this was the most splendid: the concert performance of his Prometheus under Rafael Kubelik within the framework of Musica Viva.? (Karl-Heinz Ruppel, Suddeutsche Zeitung)
Sung in Ancient Greek, the booklet contains a synopsis of the plot in English and German, plus liner notes.
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Jorg Widmann; Deutsches Symphonie-Orchester Berlin; Peter Ruzicka
Dunja Vejzovic; Martin Egel; Werner Hollweg; Reid Bunger; Olga Sandu; Wolfgang Witte; Robert Riener
Fritz Wunderlich; Ingeborg Hallstein; Naan Pöld; Hertha Töpper; Jean Cook; Karl Christian Kohn; Max
Szerying/Br So/Kubelik
Millenium Orchestra; Choeur de Chambre de Namur; Leonardo Garcia-Alarcon
Cyrille Dubois; Pierre Dumoussaud; Brussels Philharmonic
Bournemouth Symphony Orchestra, Kirill Karabits, Corinne Winters, Olga Bezsmertna, Yuriy Yurchuk, P
Herve Niquet; Choeur &
Matthias Lika; Lara Rieken; Julia Surushkina; Gustav Wenzel Most; Lukas Krimmel; Choir of the Theat
Malin Bystrom, Royal Stockholm Philharmonic Orchestra; Thomas Sondergard
Franziska Rabl; Karsten Jesgarz; James Tolksdorf; Marek Reichert; Opernchor Theater Hof; Hofer Symp
Ernesto Petti; Lidia Fridman; Michele Pertusi; Luciano Ganci; David Astorga; Natalia Gavrilan; Rocc
