Description
When I was a four year-old pre-school music fan, I would often borrow records from our neighbours. One of my favourites from their collection was 'Deep Purple' by Nino Tempo & April Stevens. I don't suppose I could have explained how it made me feel at that age, but for what is essentially a beat ballad, 'Deep Purple' created a strangely ethereal mood. Hearing it again all these years later, together with the other recordings collected on "Hey, Baby!"�, it's clear that the key ingredient to Nino & April's sound was the warmth conjured up by the sibling harmonies of the brother/sister duo. Nino & April had each experienced a degree of success both independently and as a duo by the time 'Deep Purple' hit, Nino cutting his teeth as a session sax player and occasional film actor, while April enjoyed an on-off career as a feline, temptress-styled chanteuse. A selection of Stevens' early sides is included here, sounding a little kitsch nearly 60 years on, but still rather alluring. Following a series of near-miss 45s together, the duo casually knocked off a cover of the 30s chestnut 'Deep Purple' at the close of a session. Almost by accident, they'd hit on something. In spite of label boss Ahmet Ertegun's doubts about the recording's hit potential ("the worst thing they ever recorded,"� he claimed at the time), it climbed to the top of the US chart, winning the Grammy for Best Rock & Roll Recording a few months later. The success of 'Deep Purple' led to the duo recording a slew of updated pre-rock standards, timed - rather unfortunately - to coincide perfectly with the British Invasion. Suddenly their audience had no interest in the hits of yesteryear, and it seemed that Nino & April's moment had passed as quickly as it had arrived. However, Tempo's days as an in-demand saxophonist had led to a friendship with Phil Spector. This bond clearly paid off big time: the Tempo & Stevens magnum opus from '66 - 'All Strung Out', originally written for the Righteous Brothers - is a powerful piece of work, and possibly the best Spector-influenced recording of the era, though the equally wall-of-sound-alike 'The Habit Of Lovin' You Baby' gives it a run for its money. Still other influences abound throughout this collection. The ache and yearn of Tempo's 'Boys Town' cuts so true it could be a "Pet Sounds"� out-take. 'Out Of Nowhere' acknowledges - if not quite embraces - the Liverpool sound. And, while also tipping the hat to Holland-Dozier-Holland, April's solo 'Wanting You' 45 from 1967 seems to look ahead to the UK studio sound of the end of the decade (think Macaulay-MacLeod or Cook-Greenaway). This career-spanning compilation of Nino & April's work is a real eye-opener if your familiarity with their output starts and ends with the hits. And on a personal level, hearing 'Deep Purple' 40-plus years on takes me straight back to being a four year-old, gazing at the Dansette in pure awe. Timeless and evocative, "Hey, Baby!"� is a joy. By Harvey Will