The Shape Of Jazz To Come

Description

The Shape of Jazz to Comewas a watershed event in the genesis of avant-garde jazz. The record shattered traditional concepts of jazz harmony, disposing of both the piano player and the whole idea of concretely outlined chord changes. The compositions here follow almost no predetermined harmonic structure, allowing Coleman and Don Cherry an unprecedented freedom to take the melodies of their solo lines in whatever direction they felt in the moment, regardless of what the piece's tonal centre appeared to be. This was the first time Coleman recorded with a rhythm section consisting of bassist Charlie Haden and drummer Billy Higgins that was open-eared and loose enough to follow his already controversial conception. This CD edition presents the complete session, including two tracks not issued on the original LP. INCLUDES 12-PAGE BOOKLET

All compositions by Ornette Coleman

ORNETTE COLEMAN, alto sax

DON CHERRY, cornet

CHARLIE HADEN, bass

BILLY HIGGINS, drums

Hollywood, California, May 22, 1959.

Description

'The Shape of Jazz to Come' was a watershed event in the genesis of avant-guard jazz. The record shattered traditional concepts of jazz harmony, disposing of both the piano player and the whole idea of concretely outlined chord changes. The album includes Coleman's classic tune 'Lonely Woman.'

"The element that pours out of this disc is creativity in strong, concentrated waves. Four of the half dozen Coleman originals in this collection grow out of bop roots, but Coleman hears other things, too. This is not easy music for the listener, but even at its most difficult it remains compelling." - John S. Wilson, DownBeat

Description

180-GRAM COLORED RED VINYL - THE COMPLETE ALBUM + 2 BONUS TRACKS

Contains new specially prepared liner notes by Penguin Guide to Jazz's writer BRIAN MORTON and by Paris' prestigious Jazz Magazine.

The Shape of Jazz to Comewas a watershed event in the genesis of avant-garde jazz. The record shattered traditional concepts of jazz harmony, disposing of both the piano player and the whole idea of concretely outlined chord changes. The compositions here follow almost no predetermined harmonic structure, allowing Coleman and Don Cherry an unprecedented freedom to take the melodies of their solo lines in whatever direction they felt in the moment, regardless of what the piece's tonal centre appeared to be. This was the first time Coleman recorded with a rhythm section -consisting of bassist Charlie Haden and drummer Billy Higgins - that was open-eared and loose enough to follow his already controversial conception. All the composition are by Ornette Colman.